Study Session 4
태국 현대미술과 무빙이미지 생산
2025. 05. 27. –
Bui Cong Khanh, Stamp On Me, performance, 2007. Image by Bui Cong Khanh, 2011
Lenzi, Iola. “History and Memory in Thai Contemporary Art”. C-Arts, Vol.11 (16-21). Singapore: United Universe Publishing, 2009.
lenzi, Iola. “Beyond Local: Thailand’s Recent Art of Political and Historical Witness”. Next Move: Contemporary Art from Thailand (36-45). Singapore: Lasalle-Sia College of the Arts, 2003.
Meeteren, Lara van, and Wissink, Bart. What should biennials do?. Bankok: Bangkok Art Biennale, Bangkok Biennial, Khonkaen Manifesto, Thailand Biennale, Ghost, 2019.
Lenzi, Iola. “Looking Out: How Queer Translates in Southeast Asian Contemporary Art”. Intersections: Gender and Sexuality in Asia and the Pacific, Issue 38 (n.p.). Canberra: The Australian National University, 2015.
Teh, David. “Artist-to-Artist: Chiang Mai Social Installation in Historical Perspective “. Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992–98. London: Afterall, 2018.
Teh, David. “Traveling Without Moving: Historicizing Thai Contemporary Art”. Thai Art: Currencies of the Contemporary (19-47). Cambridge: The MIT Press, 2017.
Teh, David. “The Art of Interruption Notes on the 5th Bangkok Experimental Film Festival”. Theory, Culture & Society, Vol. 25 (309–320). Singapore: SAGE, 2008.
Teh, David. “Itinerant Cinema”. Third Text, Vol. 25 (595-609). London: Routledge, 2011.
배수경. 「태국영화연구」. 『한국태국학회논총』14호 (177-223). 서울: 한국태국학회, 2007.
배수경. 「태국 독립영화의 현황과 문제」. 『한국태국학회논총』16-2호 (81-110). 서울: 한국태국학회, 2009.